Tuesday, April 30, 2013

Book Review; Zen Guitar


     “There is a zen saying, ‘Paths cannot be taught, they can only be taken.
 So it is with Zen Guitar” pg16 ~P.T. Sudo

I chose Philip Toshio Sudo’s book as part of the project because I wanted to include a guitar centric reading on music that would apply to as many people as possible—from beginner, to expert. The author describes the book as an alternative to the conventional how-to program of instruction; perfect! I love being different. “There are no chords or tunings or music theory in this dojo; you won’t find lessons on how to read music, play the blues, fingerpick or copy “Stairway to Heaven” pg16. That is only information, and can be found by a student online, in videos, or in other books. 

Rather than information, Zen Guitar aims to provide wisdom. Sudo explains it like this, “The idea here is to train and to experience; it is only though the experience of our senses that we truly gain wisdom.” Describing the difference, he compares learning to make music, with learning to ride a bicycle. Having myself learned, failed, and succeeded at both endeavors, I find the comparison quite appropriate. A person cannot be told how to ride, they have to mount up, wobble, crash, and try again-- “...direct experience of our bodies.” And so it is with learning to express that sound, song, music that exists in each of us.  

The reader is taken through five stages of Zen Guitar-- a circle from white belt to black, black to white. Sudo encourages readers to think of the stages as broadly as possible. The book is divided into five corresponding sections: Beginner’s Mind, Practice, Responsibility, Barrier, The Way of Zen Guitar.

My favorite section of the book was that called The Beginners Mind. It is a mindset required through every stage of the circle. It is about being open to new ways of thinking, and accepting that you don’t know it all, you can never know it all. The Beginners Mind opens with one from Jimi Hendrix; “My own thing is in my head. I hear sounds and if I don’t get them together nobody else will.” I caught two pieces of wisdom here (of the many possibilities):
1- we each have a sound, or music within us
2- we have to get them together our own way

The thought that we have music in us is not a breakthrough discovery. I heard Boogie Chillen on the radio when I was a kid, and learned this truth from John Lee Hooker:

"One night I was layin’ down,
I heard mama ‘n papa talkin’
I heard papa tell mama,
let that boy boogie-woogie,
It’s in him, and its got to come out"


So, we have this sound within us, how do we get it out? “… if I don’t get them together nobody else will.” It is up to each person to learn what works for them. What works for one person, doesn’t necessary will work for the next. Some pick up a guitar, others express it through drums, a piano or even just singing; we have a sound within us that we are determined express. The path of expression for me is through an electric guitar and amplifier. Once you find your path, its time to really dig in with everything you have to find your sound. There is a quote on page 79 from Carlos Santa that says it best, “If [you’re] going to sweep the floor, sweep it better than anybody in town. And if your going to play the guitar, really, really, really get in it, and don’t be jivin’.” 
As with anything of value, much work is required. When you are reaching for something only you understand, discouragement, and self-doubt will surely become obstacles. Zen Guitar does a wonderful job of addressing how to handle both. Sudo writes, “Patience and concentration will be vital attributes as you move along the path. Combat discouragement with your desire to learn” pg30. 

Self-doubt is such a common barrier, it earned its own chapter which opens with a quote from Neil Young; “I like to play with people who can play simple and are not threatened by other musicians thinking they can’t play. And that eliminates 99 percent of the musicians.” This quote has been a huge encouragement to me. I often play with musicians whose talent far exceeds mine. After reading Zen Guitar, I’ve learned to accept and be at peace with my own path, rather than envying that of others; “The Way of Zen Guitar is to play what you are meant to play, not necessarily what you want to play” pg73. 

You have to be true to yourself, by playing to the sound that is in you. I enjoy Eddie Van Halen, but I don’t want to copy him; doing so would be denying who I am. What if Carlos Santana dedicated himself to sounding like Eric Clapton? We would miss out on the incredible music within Santana, and instead have Clapton, and that other guy who wants to be Clapton

Sudo’s remedy for self-doubt is to remember this; “One can play the greatest stages in the world and still be spiritually adrift; talent alone does not bring inner peace. If you work to find peace within yourself, you will have no self-doubt about your music, your talent, or anything else” pg73.


I keep a reading log for each book I read. This is where I write down any ideas that come to mind, or passages I find intriguing. My reading log for Zen Guitar is filled with quotes, and wisdom that I will be referencing for years to come. To summarize the book would be truly unfair, as it contains wisdom that each reader will relate to differently, and on a personal level. What I will say in summary is Zen Guitar has helped me better recognize the path to finding my sound, and my approach to making music. 

“Once you learn the principles of Zen Guitar, you can apply them to any endeavor outside music. Follow the samurai maxim that says, ‘From one thing, know ten thousand things.’ Music can teach you everything you need to know” pg20.  

Saturday, April 27, 2013

Guitar Production Update; Godin Acoustics & Carvin Guitars part 5

More updates to the Guitar Production page.

First, adding to last weeks entry of America's "big-3" acoustic guitar companies, is a tour of Canadian builder, Godin Guitars acoustic factory.

Next is the much anticipated addition to The Tone King's custom made Carvin guitar. Follow Jeff Kiesel as he shows us the next step in the guitars creation; Final Body Construction. This is the last step of construction before it is handed off to the paint shop.


There are very few family owned & operated companies in America today. carvin is one of them. Originally founded by Lowell Kiesel in 1946. Lowell passed away on 28 Dec 2009, but the company continues to be a family venture:

Eldest son, Carson Kiesel is President of Carvin, and in charge of electronics design & production.

Mark Kiesel is Vice-President, and in charge of guitar and bass design & production.

Jon Kiesel is also Vice-President, and responsible for speaker cabinet design & production.

Grandson Jeff Kiesel is Director of National Sales.

Grandson Joel Kiesel is Director of International Sales.

Granddaughter Kristen Kiesel Lieurance is a production engineer with Carvin.

I really appreciate Carvin's connection with their family, their employees, and the community-- not to mention their unique business model. It really is a move toward socially sustainable living; a topic I will explore in more depth in the weeks to come~

Enjoy!

Friday, April 26, 2013

Exotic Tone Woods From Paul Reed Smith's Private Stock

PRS Private Stock wood tour. Some of the most exotic woods Paul Reed Smith has been stashing away for 15+ years

Watch for a single piece of maple that features quilted, and flamed figuring ;)


PRS Vault collection woods. This HD video features Paul Reed Smith showing off some of the most incredible examples of tone-woods. He matches woods for electric, and acoustic guitars, demonstrating the tonal properties of each piece of wood. Even the neck blanks sound like bells. Amazing stuff!


Stuff that dreams are made of!

Enjoy!

Wednesday, April 24, 2013

Describing the Sound of Wood

In this video from Gourmet Guitars, Master Luthier John Monteleone talks about the sound of wood. As a bonus, Woody Mann plays one of John's beautiful arch-top guitars


Ever wondered what happens to maple for it to produce a quilted top such as this?
Some people on Internet forums say the amount of figuring in the wood is attributed to the way the wood is cut, while others assert that this feature is genetic. 

This video from Taylor Guitars should clear everything up. Bob Taylor describes why some maple is flamed, curly, or quilted. 

Lastly, 
A video from The Tone King

We get an inside look at the wood shop of Carvin Guitars in San Diego, CA.
Learn about spalted maple, book matching, body & neck building.


Enjoy!

Monday, April 22, 2013

Updates: Guitar Production videos

Updates to Guitar Production!

Recently added factory tour videos of:
Taylor
Martin
Gibson

     Watch how each company employes a unique approach to building acoustic guitars from the selection of woods, through the building process and to final assembly.

     Check back often as I am continually posting updates, and adding material. I've also got some new pages in development, book reviews, and manufacture interviews all on the way soon.

     Next week the main theme will turn to music, and all the benefits thereof. After all, these guitars are more than beautiful pieces of art-- they are tools for making music.

Sunday, April 14, 2013

Sourcing Spruce; Taylor Guitars video


Happy Acoustic Day!

Where did your guitar live before making its way to you?


     The wood used to make your acoustic guitar lived in the forest where it endured three or four hundred years of droughts, fires, storms, and generations of people. How did it become part of your guitar?

     This video from Taylor Guitars demonstrates how the wood—spruce in this case— makes its way from the forest to the builder.

Taylor guitars: Sourcing Spruce pt. 1

     Next, Bob Taylor explains how the wood now at his shop, is selected, cut, and used to make your guitar. 

Taylor guitars: Sourcing Spruce pt. 2


     An incredible amount of work happens before your guitar is born. It will likely give you a new appreciation for the guitar you’re now playing.

Friday, April 12, 2013

KIM WALKER 03 | Tap Tone Wood

Tone woods. What are they? It's just wood... right? In this video master luthier Kim Walker demonstrates the different tones each wood time provides. Its best viewed in HD, and listened to with headphones ;)

Keep checking in for more updates~


Thursday, April 11, 2013

Review: Partners in Mahogany Crime


        Forested lands worldwide have been exploited for decades. This 2001 Greenpeace report on illegal supply/trade of mahogany from Brazil provides a solid foundation for us to understand what has happened in the past, and for us to put into context what is currently happening. While there have been significant improvements in the eleven years since this report, much of what is described here continues to this day. As a history teacher of mine once said, “we must study and learn from our past to understand our present, which then prepares us to shape the future.”

According to the report, 80% of all Amazon timber is illegally harvested, and points to widespread corruption as one of the key factors. The report focuses on the Brazilian state, Para-- the largest mahogany producing region in Brazil-- and the two key personalities involved in Brazil’s illegal mahogany trade: Osmar Alves Ferreira, and Moises Carvalho Pereira.

Demand:
Since demand for mahogany primarily comes from the United States, Europe, and Japan, the timber must be exported to supply the demand. Five export companies have been linked to Ferreira, and Pereira. Combined, these companies are responsible for approximately 80% of Para’s exports. 

Where there exports, there are imports. Of them, DLH Nordisk is identified as one of the world’s largest international timber traders. The report identifies DLH as having dealings with the export companies operated by both, Ferreira, and Pereira. Greenpeace and other NGOs have also linked DLH to arms trafficking in Liberia earlier in 2001.
Mahogany is widely used for backs & necks
of both acoustic & electric guitars
Much of the demand for mahogany is from manufacturing, with furniture manufacturers being the largest user. For example, a great deal of the demand comes from furniture companies such as Ethan Allen, and Stickley, among others. Are they importing illegal timber? There is no way of knowing for sure because one of the key problems identified in the report is the lack of a reliable legal chain of custody. Considering that 80% of the timber exported is done so illegally, they may be doing so unwittingly. The next largest users are makers of window and doors, and coffin makers. Guitars account for a very small fraction of the users.

The crime:
Where there exists a large demand, there exists the opportunity for crime. Because mahogany is so valuable, the report calls it the, “green gold of the Amazon.” The area of Brazil known as the “mahogany belt” covers roughly 197 million acres, stretching from the south of Para, through Mato Grosso, Rondonia, and southern Amazonas. It is common for illegal logging to bulldoze access roads far into untouched forests to gain access to a single mahogany tree. These illegal roads are often the first step to colonization of forests. For example, the report cites the president of the Tailandia logging industry association, who “sees the introduction of soya plantations to Southern Para as the industry’s future once the logging is finished.” 

To provide a larger, more tangible context for this crime, the report presents this example:

“Although illegal, it is not unprecedented for Indians, including some members of the Kayapo, to allow loggers onto Indian land in order to make some meager earnings themselves. However, while Indians receive at best R$80 (US$30) per tree, the sawn timber from that tree then sells on the export market for upwards of US$3,300. This same tree supplies enough mahogany timber to assemble between 12 and 15 twelve-seater solid mahogany dining room tables, which wholesald for US$4,150 and retail to the public for US$8,550 each.”

Granted, what is not included in that equation is the time and labor required to build the dining room tables, though it is clear that the people of Brazil are being sorely underpaid for their timber. I can’t help but wonder what effect paying a fair price for the trees would have on the demand… would it decrease demand for mahogany, slowing the harvesting of trees, and decrease its attraction to criminals…? 

Instrument grade mahogany comes from old-growth
forests, between 300-400years old
The land mentioned above, is called the “Middle Land.” It is the size of Austria, and is one of the largest undisturbed areas of the rainforest in the Amazon; between the Xingu and Tapajos rivers. It is supposed to be protected from all industrial exploitation by the Brazilian Constitution. The motive of course is the potential for big money by illegally logging their land. It is common for loggers to negotiate for trees they illegally took down after entering the land illegally. Lawyers for the native people say “they’ve never seen a fair and legal contract for mahogany logging.” Many of their people who have taken direct action attempting to stop the loggers have been murdered for their opposition. 

One way the forests are being exploited is through laundering. The Brazilian government issues Forest Management Plans (FMP) as a means intended to control logging. Sections of land are given an estimate of mahogany volume, allowing a specific amount to be harvested. Because of poor oversight, and corruption the estimates are wildly inflated, thus providing the loggers with enough “legal paperwork” to cover the trees illegally harvested. That also provides them with paperwork that conforms to government guidelines and the appearance of legitimate practices. The report mentions that Brazil has revoked many of the FMPs, but their agencies are under funded to make significant differences.

So what is being done? 
A world governments meeting was scheduled to take place in April of 2002, in The Hague, NL to write a 10-year plan to protect forests. Previous to that was a Convention on Biological Diversity (CBD) where 180 governments formally committed to protect ancient forests. Greenpeace called for a moratorium on industrial logging, and to create a global ancient forest fun of at least $150B annually. Among other things, they requested Brazilian mahogany to be upgraded in the Convention on International Trade in Endangered Species (CITES) Appendix III listing, to Appendix II to allow governments more control over trade. Keeping in mind this report was written in 2001, we have the benefit of reflecting on the last eleven years to see how far we have come. There have been many improvements in that time, but illegal logging remains a serious threat to many of the tone-woods used in guitars; not to mention the devastation caused to the forests and the life that depends upon them.

The report mentions very little about guitars specifically, as guitar manufactures represent a very small portion of the overall demand. However, guitar builders and players can have a huge impact in being part of the solution~